Of Franco-Malagasy origin, the interbreeding of cultures is at the heart of Prisca’s approach and generates a language of forms between surrealism and minimalism. She finds inspiration both in the tribal arts, which she has encountered through her travels in Africa, but also in movements such as the Decorative Arts and the Bauhaus. This crossbreeding is also a crossbreeding of practices. She plays with the semantic limits of the object and places her work halfway between sculpture and design. His creative approach consists of questioning the shaping processes and their impact on the material, both in their formal and aesthetic dimensions. Fascinated by the sensitive and delicate nature of metal, she enjoys deconstructing preconceptions about this material, which she approaches in a light, colorful and warm way.